Greetings again from the darkness. By now, we know what to expect from a Jason Statham movie: bone-crunching fist fights, big guns, fast cars, pretty girls, and wise cracks. Hope and expectations were a bit higher for this one since it’s a John J. McLaughlin (Black Swan) screenplay of a Donald E Westlake novel, and it’s directed by Taylor Hackford (Oscar nominated for Ray).
Statham plays Parker, a masterful thief with a straightforward code that he isn’t shy about sharing. His partner/mentor is played by Nick Nolte and Parker finds himself knocking off the Ohio State Fair with a group of guys led by Michael Chiklis. Things don’t go well and Parker finds himself left for dead.
It starts as a heist film and transitions into a revenge flick. Of course, there are some Statham style romantic elements included. Emma Booth plays Nolte’s daughter and Statham’s love interest. Then, we get Jennifer Lopez as a down on her luck Realtor who lives with her mom (Patti Lupone), but somehow manages to figure out that Statham’s character is not as he appears.
Lopez and her hyper over-acting don’t play well with the stoic Statham. She does, however, get to flash her best known ASSet. Nolte’s character gets lost in the shuffle, which is a shame. More scenes with Nolte and Statham could have proved interesting. Also, there is an odd story line with Bobby Cannavale as a Sheriff who has the hots for Lopez. With the exception of a brief interlude, this promising story line just disappears. Lastly, the film’s big Palm Beach heist really pushes the envelope of believability (scuba? Chiklis isn’t exactly James Bond) and taints what sliver of reasonableness that might have existed.
Basically, Statham is the best thing about this Statham movie. The rest is pretty messy and disappointing … especially considering the DNA that this one offers (Hackford, McLaughlin, Nolte).
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