Oz Perkins’ latest film, “Longlegs,” excels in its atmospheric dread. It bides its time using the fear of the unknown during a time period when Satanic panic was
“Good Boy,” the offbeat short film from first-time director Tom Stuart, takes its audience on the lighthearted journey of a restless young man as he drives around in
A young woman sunbathes on a floating bed by the lake. Suddenly, she panics when the bed drifts away, helplessly wading through the water. She catches the attention
Depicting an engaging portrait of the challenges faced by the Indigenous peoples is a tall order, especially one that connects with audiences and retains both its heart and
Experimental filmmaker Lynne Sachs’ latest outing, “Swerve,” begins with a shot of a street in Queens, followed shortly by a voiceover spoken in Tagalog. As the next shot
You accidentally opened a portal that bridges your Earth and different dimensions and universes; because a spell you were trying to conjure got corrupted by your young ally’s
“Fear is a tool,” the Batman says in a voiceover, giving the audiences just enough exposition on how things have been in Gotham offscreen. Most of the criminals
This November, we are treated to the latest entry in the Marvel Cinematic Universe (MCU), “Eternals.” Directed by Academy Award winner Chloe Zhao, the film features an ensemble
Before anything, let’s get this thing out of the way: Sure, it’s a valid point; but to say that “The Suicide Squad” is the DC Extended Universe’s (DCEU)
A scene from F9 showing Michelle Rodriguez and Vin Diesel. Image courtesy of Universal Pictures As the world prepares to return to normalcy, franchise and blockbuster films are
Meet Celeste and Jesse, childhood best friends turned husband and wife, turned ex-couple, turned we’re-better-off-as-back-to-being-best-friends. Trust me, it’s a whirlwind to describe in writing, but even more so
I have always considered Ingmar Bergman’s “Scenes from a Marriage” and Richard Linklater’s “Before Midnight” the perfect depictions of an imperfect marriage onscreen. After seeing Noah Baumbach’s “Marriage
In 1968, a science fiction film sharply polarized its viewers: a little feature called “2001: A Space Odyssey.” Think of all the platitudes a movie can receive: ambitious,
Welcome to the world of Calvin, an introverted and socially inept novelist who is struggling to write his next book. After the success of his first novel, he
