Navigating through the world of Nathan Hill’s unique style of filmmaking has been a treat. By this point, I’ve seen it all (except horror). From his steamy and
From a first glance, Mr. Santa: A Christmas Extravaganza is stuck on the dynamics of independent cinema, low budgets, and amateurish filmmaking. It doesn’t work its way out
After I finished watching the four-part documentary series Selling Superman, I asked several people if they felt they were passionate about something. Some of them had answers, but
All movies should have a purpose, right? Or at least, they should feel like they have a purpose and that they work towards a story that’s worth telling.
Carol Polakoff’s Speak Sunlight (originally titled La Voz del Sol, which translates to The Voice of the Sun) is a very compelling drama that tells a universal story:
In I, Portrait, writer/director/performer Nathan Hill visibly tries to apply everything he’s learned in the past. He tries to shed off the bad, and incorporate what has worked
Gasbag is the story of George Nordstrom, a loud and overtalking employee at a travel agency whose life is exposed in the twenty-something minutes of a TV pilot
Black Dog is an impressive and unexpected film experience. At a first glimpse, it’s the story of a lonely man who connects with a black dog, arguably a
Daruma is a very sweet movie about a father-daughter relationship that begins in the most dire of circumstances. Patrick finds out he has a daughter and he’s “obligated”
Breakup Season is an honest depiction of disaster, the size of which is only visible from the perspective of its two very well-designed lead characters. Ben and Cassie